nice house bomb a side with a nice grooving guitar riff b side with acid influenced keys both tracks with this cool electrofied voice

house, swiss djane she s. sunshine production, original mix with a nice groovin bassline and keys from heaven, the flipside comes with some breaks in a darker style

poppy house tune from spain,with spanish vocals,and lots of 80s and trance flavoured keys on club & tek mix, the radio mix on a side has french vocals and both radio mixes with nice guitars

bassline road, equal parts deep house souldiers (matthew bandy) and community collective (jon nezda), with this new 12 on nordic trax. having already turned a lot of ears on nts 'many shade of house' comp last year, the 'solar drums mix' of 'you will find it' finally gets an airing, with its chunky tribal rhythms, clapping beats, spaced out chords, and deep grooving bass all laying the groundwork for some soaring keys to dominate over. on the flip you get the sumptuously deep original take, with less percussion and more rich chords, and a stellar 'intro/outro' track for adding mixing pleasure

fantastic spanish vocal over a funky and jazzy groove..cool keys and percussive workouts on the dubby b side makes this definitely to one of mayas strongest releases to date!

swedish production with streamlined jazzy vocalhouse,crispy beats, nice trumpet and wandering clavinet keys on the a side, b side comes with midtempo,electro tinged synths around fragments of treated wah funk guitars

hot new one for the gospel,uplifting crowds,sabrinas big vocals sound as good as ever as she pounds away at us over jazzy keys & church organs.fat

house, deep and delicious bassline,shuffling house beats,jazzy dubbed out keys and warm synths stabs for some minimal late night grooves

deep house with nice keys and synths

aka metaboman and carlsn basu from the infamous musik krause. on 'kristallsemmel' youll witness the slowest rave-track ever, with a twisted bass-signal winding around an endless grooveàfar out shit! 'kingpult' on the flip is a session with ààà.on keys, while metaboman is droppin in and out a his rhythm-architectureà. hypnotic and cosy..) music for believers

klassischer uk electro mit experimentaleinlagen. also genau das was wir von scsi id erwarten

deeper vocalhouse with warm strings and keys..

slice of bumping latin-jazzy deep house courtesy of the worldÆs most beautiful..warm keys, jazzy guitar work, bouncing bass and the tasty vocals from the original..

freex squeex is old school acid house..punchy beats, big ass bottom end and infectious 303 lining. flip for see saw, a catchy vocal with solidbeats, throbbing bass, nice pads and keys..

smooth keys and soulful vocals..neo-soul styled cuts from mark..quality pair of broken beat on the flipside..

choice four-tracker from some of the top names in the underground!jazzy keys and stripped-down floor fillers..top-shelf funky house with some minimal old school vibes..

cool funky acid house banger

excellent funky house

2 more tracks of dancefloor mayhem. give your body starts with a funky acid bassline and snapping drums, building a deep but rockin solid groove of psychedelic keys and spooky vocals for a ultimate 10 minute journey which sounds perfect at 7 in the morningÓ on the flip freestyle man remixes >its a dawgs life< to an early 90s murk versus mauriziopeaktime killer with stabs and filtered rolling synths. hot

deep rolling percussive tribal house with strong traces of dub from spain, swirling keys and muted horn stabs from spain. oldschoolish more jacking flipside!

combines funky stabbing keys, snaking bassline, driving beats, and a risque female vocal on a quality peaktime floor-mover. miguel migs lays down a superb dub take next, utilizing great shuffling beats alongside the original synths and vocal, while the bassline ups the tempo a little and swirling effects are added. b side track “decompression” is more harder action

proper funky tech house from ralph lawson with a proper wobbly summertime keys and vocal shots over slick beats and a bouncing bass. classy! // silicone soul label !!

liquid people take up remix duty with a todd terry-style groove and a sprinkling of old school keys, allowing that glorious vocal and the song to take centrestage.

a smooth and sultry late night gem that's got miguel migs and jay-j written all over it. d' s cozy keys, hypnotic drums, analog bleeps and a soulful vocal performance from leena do the trick here. one main mix, and two deeper than deep dubs on this special release

featuring the vocals of rob burns, this has the trademark busy joeski groove. tight bassline and warm keys, the vocal doesn?t have quite the range of say omar alxnder, but the beats are tough. the dub on the flip goes darker with far more techy bleepier flair and is hot !

dope uplifting boogie-flavoured deephouse with a subtle afro twist by this jimpster project. beautiful keys, flutes, live bass, chunky beats with warm afro percussion and vocals snippets. the b-side is a pounding, jacking dub somewhere between tom middleton and 20/20 vision.

freds back on nightshift after his massive remixes of chris lums get connected. this time hes teamed up with nrks magik j for a slamming piece of funky deep house on a late-night tip.whats up bro features freds trademark stark beats and bass mixing with some warm keys, while the mixes of centro theme are an uplifting excursion !

44 tracks on 2 cds

part ii

cd im mini-gatefold sleeve

they hate change break down genre walls on their debut album.

the third longplayer from philadelphia-based free jazz collective irreversible entanglements.

16 tracks incl. just her, trafik und dale middleton

beraadgeslagen, or drummer lander gyselinck (stuff., labtrio, etc) and keyboardist / singer fulco ottervanger (stadt, de beren gieren, etc) together on the tandem. a musical think tank with drums, keys, texts and bells. for ten years they have been playing together in the most invisible places, but every now and then they show themselves to the world with disco classics that never reached the market. soulful and unpredictable

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

without new jersey native kerri kaoz chandler, house specifically deep house would sound very different. ever since his teens he has been making and playing music with a unique sense of soul, jazz and deepness. from majors like atlantic, king street sounds and nervous via his own madhouse, his releases are never short of genre-defining classics that have spawned a thousand copycats. affectionately referred to as the stevie wonder of house, kerriÕs dj sets take him all over the world and often find him playing live keys next to his informed selections. heÕs meticulous about sound, too, which means that no-ones kicks hit quite like kerris. his instantly classic and timeless dj-kicks mix, though, takes him out of the club and through a world of influences and inspiration

new long player from manchester s claro intelecto. entitled exhilarator , the 13 track album marks a return to action for the esteemed producer. a cinematic album of icy techno, weighty bass and poignant melody. from plaintive keys and slow motion drums awash with melody to corrugated industrial drums that don t let up, this is a diverse album in both mood and texture. moments of ambient celestial beauty exist next to breezy and summery grooves while skewed and sludgy acid sits next to serene underwater dub. stewart s mission to step outside his usual self has resulted in another landmark electronic album. killer release!

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities

mcde shares some of his most prized gems on this compilation that kicks of the limited dekmantel * selectors* series. check!mcde shares some of his most prized gems on this compilation that kicks of the limited dekmantel selectors series. check! please note, this cd version has an alternate version of house of jazz - hold your head up.

closing ice is dedicated to senkings distinctively bass-heavy tracks and atmospheric compositions.

gary -slim- moore ist kanadischer soulsŠnger mit wurzeln in jamaika. in den 90ern traf er erstmalig auf die mar-keys ohne das aus der verbindung aufnahmen entstanden. die gruppe feilte in der zwischenzeit an ihren fŠhigkeiten und spielte mit soul-koriphŠen wie gladys knight, the temptations oder the coasters, und einige mitglieder grŸndeten das souljazz orchestra projekts. seit 2007 erschienen bereits drei alben auf do right!

new york, early 90s, the haydays of the new york and jersey clubhouse! with labels such as nugroove, nervous, freeze, strictly rhythm, henry street music taking all the spot light, there is jovonn working on a small but sensational catalogue of music that somehow gets overshadowed by the popular releases on the mentioned labels. the honest productions, jazzy melodies and playful vocals (rooted in gospel) were taking things into a more musical, more spiritual way, lacking gimmicks or dispensable samples. for the real diggers, the true lovers of house music jovonn always was a name to watch, a producer of some of their favorite ny house tracks, tracks that have a raw edge combined with a sincere human touch and pure underground house vibes

prins thomas jumped on the mixing decks and prepared a sonic trip for endless flight records. including , theo parrish, ricardo villalobos, donato dozzy, floating points, mike huckaby, bjoern torske, dj fett burger, marcellus pittman, bee mask, surgeon, silent servant and shed.

der australische drum & bass-produzent royalston aus sydney veroeffentlicht sein albumdebuet ocd auf dem hospital sublabel medschool! das album beinhaltet insgesamt vierzehn tracks - bag it!